Category Archives: eBooks

Free and fabulous

It seems that we are beginning to trip over increasingly enlightened authors on the digital frontiers here at Pan Macmillan. Just as we are poised to publish the the seventh novel in David Hewson’s beguilingly atmospheric and addictive Rome series, Dante’s Numbers, David has shrewdly agreed to an experiment to give away the first of his novels featuring the popular detective, Nic Costa, as an unDRM’d ebook.

You can download the ebook from Scribd

Since yesterday it’s been downloaded over 3000 times. The ebook will cease to be available as a free download after October 15th, 2008. Kudos to David and good luck to him!

It is a little bit exciting, I must admit

Michael beat me to it last week, but I wanted to reflect further on the Waterstones / Sony ebook launch last week. Anecdotally, Waterstones store staff report a great deal of interest from customers, and the rumour mills (or well-planned leak??) put a *correction: five* figure number on the Sony Readers sold by the morning of Thursday 4th September.

As I’m sure all of those working in the digital publishing departments of trade publishing houses will agree, it’s nice finally to have a major high street bookselling brand pitch itself into the ebook ring so wholeheartedly – and the Sony device is the most compelling (and competitively priced) there is of the dedicated devices so far available here in the UK. I must say it did make my heart leap just a little bit to see huge POS displays promoting the Sony Reader and the associated ebook catalogue from Waterstones in the Tottenham Court Road and Piccadilly branches, and it was fun to go in and do some underground detective work to discover that the Waterstones staff seemed quite clued up about it all.

There has certainly been an uplift on direct sales of ebooks from our own web site over the weekend, although this may well have something to do with our our promotion of eight non-drm’d SF books which started last week. It is also bringing out terrible trainspotting tendencies in me as I find myself wanting to look at our web-based sales analysis tool on a regular basis…

As for the press and publicity; well, the media seems to have gone mad for it, don’t they? Not always in a positive way, but based on the premise that all publicity is good publicity, great timing, Sony and Waterstones! Launching on the back of silly season and given the choice of a piece about a ‘potential revolution in reading’ or another funny animal story, Sony seems to have won every time. However, as Diane Shipley has written on the Picador blog here, it would be nice to see a little more excitement in the media, a little less of the wrinkled noses.

Of course, I still believe the future of books on screen is not going to be dominated by a single, dedicated reading device. I don’t really believe the Sony reader is the killer device or even a killer device, but it’s certainly making an impact on the media and consumer imaginations. And I am becoming quite fond of mine. Reading will no doubt continue to take place across a variety of mediums dependent on the reader’s personal lifestyle, preferred existing gadget(s) and tendency towards paper sniffing – or not.

And now for a little grumble: it would be really, really be nice if you could actually search the Waterstones ebook site by author / title / ISBN / keyword rather than having to browse the category or bestseller pages. Harrumph.

It’s Arrived!

Well, finally, it’s happened.  The Sony Reader has been launched in the UK in partnership with Waterstones.  Having been out of the country for the past couple of days (more of which to follow) I haven’t yet managed to go through most of the coverage, but it all seems as high profile as can be and generally more positive and sensible than might be expected.  Here’s hoping that things turn out to be a success. I’ve often mentioned on this blog that I don’t expect things to change overnight; that ebooks suffer from both being over hyped and irrationally despised. This launch marks the beginning of a new phase rather than being a sudden turning point. That said, this is a hugely significant moment for digital publishing in the UK and should be acknowledged as such.

This launch has been something we have been working up to for a while. We’re delighted to be involved and a big thanks goes out to everyone who helped along the way. It’s been quite a journey! Still the work doesn’t stop now. Expect more ebooks and more new ideas as things progress.

Short Fiction in the Age of the Ebook

A guest blog today from Tor UK author Gary Gibson (check out his latest book Stealing Light).  Having acquired a Sony Reader Gary muses on a possible renaissance in short form fiction. This post was originally posted on Gary’s blog, White Screen of Despair.  So without further ado…

To my surprise, I’m reading more short fiction since I got the Sony Reader than I have in years, mainly because of two factors; short pieces make for a nice occasional break from a full-length work, and I’ve found quite a lot of sf anthologies for sale online at quite a bit less than they’d cost me if I bought physical copies of them from a bookshop. The same goes for some novels as well. This is a bit ironic, since I recently commented on a Tor.com article that I didn’t read short fiction any more because I couldn’t find anything to read.

I recently bought Year’s Best SF 13 for just under £3.50 from a US store – it was either BooksonBoard.com or Fictionwise.com. The current exchange rate between the US and the UK, obviously, helps a lot. But you get a lot of fiction for your buck. Next in line will likely be a new collection called Seeds of Change, available for about the same price. That’s not to say they’re all bargains – I bought the ebook of Ray Kurzweil’s The Singularity is Near, ostensibly for research, and that cost me well over a tenner, which hurt. But I’ve got it now, and the site I bought it from had a rebate that allowed me to pick up a copy of Asimov’s (short fiction again) virtually for free. Interzone and Black Static can similarly be had as virtual editions.

A new collection of short fiction by Chris Beckett, whose The Holy Machine I rated very highly here some time ago, is also out, in both paperback and virtual edition, from Elastic Press. I’ll be getting the virtual edition sometime in the next couple of weeks, and I note with pleasure that the ebook of The Holy Machine can be had for the equivalent of about three and a half quid again. Considerably cheaper than the edition I bought at a convention, which cost me about a tenner. If you own an ebook reader and you’re looking for something to read, you could do an awful lot worse. It would be nice, of course, if some of the other books I’d really like to buy – Jay Lake’s Mainspring, for example – were available in electronic format. But hopefully it and others will be someday.

There’s a potentially very positive aspect to ebooks in relation to short fiction I hadn’t previously considered. Publishers rarely produce collections of short fiction in meaningful numbers any more because they long ago ceased to be cost-effective; much of my early reading was done through the medium of collections by well-known sf authors that would be deemed financially unworthy in the modern age.

Yet without the requirement for printing, binding and shipping, it would be nice to think that short fiction collections could achieve some kind of rebirth in the age of the ebook. Although there are certainly authors such as Beckett and quite a few others with collections out, these tend to come from smaller, specialist presses and thereby both cost more, have smaller print-runs and are harder to find. Ebook publication, I think, places such collections in a better position to be found by the right audience. It certainly means an extra potential revenue source for any author who’s had, say, a dozen or so stories professionally published and would like to be able to bundle them in an e-format.

10 Reasons Not To Write Off Reading From A Screen

Below is a post I recently wrote for the new Writer’s Handbook blog- well worth looking it for aspiring and established authors alike. Much of the material comes from an earlier post for the Digitalist condensed into a more digestible format.

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“Ebooks suck etc”. Yawn.

On the back of the announcement that Waterstone’s and Sony are jointly entering the ebooks marketplace there has been quite a bit of coverage in the media, to the extent that I now regularly discuss ebooks with pretty much everybody.  On this blog I have spoken before about the issue of both over hyping or hating ebooks but again, it seems the reaction warrants some kind of comment.

Specifically the more spittle flecked, hate ridden reaction of (some of) ebook’s detractors. The language,  the sentiment, is almost bizzarely visceral in its pathological intensity.

Take these three in the Observer.  Lynne Truss manages to be reasonably civil, but the language of Will Self and Amanda Ross is markedly less so: the operative words are “loathe” and “horrified”.  Peter Conrad, in an admittedly interesting and more thoughtful piece, accuses ebooks of wanting “to bring about the end of a culture”. Similarly in the many conversations I have about ebooks I am always struck by the sheer force, to the point of rudeness, in people’s adverse reactions to the mention of a book that is, gasp, not on paper.

For the record then it is worth re-iterating: calm down,  books are not going to go away, ebooks are channel that will exist side by side with them, there is nothing to get so worked up about, no one is trying to kill books or end a culture, rather the reverse, to rejuvenate and contribute to that culture.

Strangely ebook’s biggest haters are often those who will crow most loudly about their imminent and monumental failure. Why bother hating them so much then?

As a bibliophile I can quite understand people’s passion for the printed, crafted artifact, but surely its time to get over the sheer level of knee jerk, violent invective ebooks attract.  Surely?

Tethered Reading

The recent noise about the iPhone highlights a trend recently discussed by Jonathan Zittrain in his book The Future of the Internet; namely how “generative” IT platforms are giving way to closed “tethered” appliances. The iPhone is such a device, in that it is ultimately policed by Apple and is capable of being controlled by them.

Zittrain acknowledges the benefits of tethered appliances in an age when the internet is becoming increasingly dangerous but he raises a few spectres of what might result from a world dominated by tethered appliances, where the openness and flexibility engendered by neutral networks and development platforms, an openness that has lead to an unprecedented flowering of productivity and creativity, gives way to greater manufacturer control.

While the threats are many and various it occurred to me that there is an implication for publishing. Imagine you are reading a book on a tethered device like an iPhone or an Amazon Kindle. Both of these devices are connected to Apple and Amazon and are capable of being remotely updated. Imagine you have bought a book which is stored on the said device. Imagine the book is labeled libelous or in some way defamatory, inflammatory or otherwise in contravention of the law and is ordered to be removed from sale.

If you own the print copy then whilst the book can be stopped from selling anymore, you can still possess your own copy. The object still exists and stands as its own testimony and historical record.

On a tethered device that is not necessarily so; as Larry Lessig has noted “Code is law” and the book could be erased as the system operators, having that capacity, are legally coerced into doing so. This has implications not just in terms of ownership of digital materials but has a wider import in terms of how tethered appliances could shift the nature of discourse and alter our understanding of history.

While this is clearly an extreme and hypothetical situation, it’s nonetheless something to think about.

Work in progress

The blogosphere has been buzzing since the App Store launched over last weekend with comments about ‘dozy publishers’ who have missed a great opportunity to make their books available on the iPhone. But apart from a few digital PR points scored against competing publishers, there doesn’t seem to me to be any huge value in first mover advantage here for publishers, unless we want to make the decision to become software developers.
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“Mobile, mobile, mobile”

So said Google CEO Eric Schmidt when asked the future of the web. Last week in an interview with Reuters WPP CEO Sir Martin Sorrel said that not investing in mobile content was to miss out on a big opportunity. At Pan Macmillan we agree. While reading on mobile devices remains marginal in the UK, it is also, at some level, already ubiquitous, a daily reality for most of us.

Mobile holds out the promise of quick, convenient, easy, chunkable, affordable, relevant and portable digital reading. It’s strengths are legion and this is why we are pleased to announce a deal with Global Reader (wap.global-reader.com), a mobile content distribution service from MPS Mobile. Over the next few months we plan on releasing over 600 titles through this service, spanning Pan Macmillan imprints from Picador to Boxtree.

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Observing Change

In Sunday’s Observer it was announced that the long serving literary editor, Robert McCrum, was to stand down. He talks about how publishing has changed, how the clubby atmosphere of yesteryear has given way to the blazing lights of the corporate future. In ten “chapters” he gives us some of the big changes and events of the past decade, from the emergence of writers like Zadie Smith to the increasing importance of the literary festival.

Of McCrum’s ten great changes three are connected to the internet: Amazon, the growth of blogging and the Kindle. Each represents a separate strand of the multiple connections between publishing and the web, but each succinctly emphasizes how fully entwined they have become.

Upon reading the piece Sara sent the following dispatch from her holiday:

“Overall this is a very thought-provoking and thorough overview, but I think his observations on the digital side of things are shallow – and plain wrong in places.

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